Selected Publications: Kathleen Rabel
Distaff Northwest Group, Jae Carlson. Juvenant Creature Book 2: Seattle Art Theory, a kindle Amazon book, 2019
Crossley, Kolby, ABC Montana, Artists showcase work in downtown Bozeman, June 16, 2017 Waterworks 2017: An Artistic Exploration of Gallatin Valley Water. Bozeman Chronicle, Music & Arts, p6, June 2017 edition. P6
The Society of American Graphic Artists at One Hundred, 1915 to 2015, The Art Students League, New York p. 50, October 22, 2015
Clemans, Gayle. Tacoma Art Museum mounts a handsome show of prints, The Seattle, Times,
July 18, 2014
Hara, Keiko; Takemoto, Akira. Abstract American Mokuhanga, Walla Walla, WA Sheehan Gallery,Whitman College, p.3, 2014
Rabel, Kathleen. INK ON PAPER: The Mary Alice Cooley Print Collection at Cornish College of the Arts, Seattle, WA: Marquand Books, 2012
Insight Magazine. Cornish Community, Faculty News. Seattle, WA 2011, p.22
Oregon’s State Capitol Art Collection. Art of Our Time, Salem, Oregon, 2011, p. 57
Van Nostrand, Jess. Mark-Makers The 2008 Cornish Art faculty Exhibition. Seattle, Cornish College of the Arts, 2008, p12 and 20.
Chinese Printmaking Magazine, Window Overseas, China, 2008/ No.232. p. 58-61, p.65
Darrow, Elizabeth, Kathleen Rabel: Serial Structures, Seattle, Davidson Contemporary, 2008
Rossi, Maria Stella. Le Benedettine di San Vincenzo al Volturno. Volturnia Edizioni, 2007. p. 40, 43
Seattle Print Arts, Shenzhen University College of Art and Design, Shenzhen Fine Art Institute. A Common Language 2005 – 2007. p. 17, 47
Sundahl, Reiko. Scene and Cliques Seattle Standards. Artdish: Northwest Form on Visual Arts, http://www.artdish.com, March 03, 2007
Print Arts Northwest and Northwest Print Council. Printmaking Currents 2006, A National Juried Exhibition. Portland, Oregon, November 2006
Center on Contemporary Art, Shard: Textual Fragments in Contemporary Art, Catalogue, Seattle, February, 2006
Shenzhen China Fine Art Institute, Conversation-Beyond Limited Exhibition of Prints from Seattle Print. Shenzhen, China 2006
Norris, Molly, The Sky’s a Blackboard High Above You. Art Access, October 2005, p. 9
PONCHO 2005 Invitational Fine Art Auction. 4th Annual All About Art, p.73
Huska, Rock; McDonnell, Patricia. Building Tradition: Gifts in Honor of the Northwest Collection. Tacoma Art Museum, 2003
Carlsson, Jae. Kathleen Rabel: Structurist Camouflage. Seattle, Davidson Galleries, 2001
Rossi, Maria. “L’espressione pittorica di artisti internazionali a San Vincenzo”. Il Messaggero,
Updike, Robin.” From Portugal with Love”, The Seattle Times, January 20, 2000, 22G.
Boylan, John. A Gift of Light and Time. Bank of America, Seattle, 2000, cover, back cover, p2, p13
Sawahata, Lesa.” Where Art Thou?”, The Seattle Weekly, April 29, 1999, special section
Updike, Robin. “Two artists in an abbey working reverentially”, The Seattle Times,
August 11,1998, E 1-2
Artisti internazionali a S. Vincenzo, Rome: Il Messaggero, June 18,1998, p.7.
Allan, Lois. Contemporary Printmaking in the Northwest. Sydney, Australia: Craftsman House, 1997
“Due Artisti Americani Approdano all ‘Abbazia di San Vicenzo,” Molise Extra, June 4, 1997, p. 15.
La Jeune Gravure Contemporaine et Ses Invites des U.S.A., Paris, 1995, p. 46.
Aronson, Margery. Kathleen Rabel Recent Sculpture: A Portuguese Voice. Seattle, Davidson Galleries, 1995.
Askey, Ruth; Brunsman, Laura. Modernism and Beyond: Women Artists of the Pacific Northwest. New York. Midmarch Arts Press, 1993.
Scott, Mary Sheldon. “An Interview with Kathleen Rabel”, Mixed Media, Fall 1993.
“Artist in the Abstract: Brushing up on Kathleen Rabel”, The Seattle Times, October 28, 1992, C-5.
Carlsson, Jae. Kathleen Rabel, Selected Prints: 1972 – 1992. Seattle, Davidson Galleries, 1992.
“An American View”, Marie CIair (Portuguese edition), June 1991, p. 178.
“Art and Auction News”, Mizue (Japan), Spring 1991, p. 135.
Johns, Barbara. Modern Art from the Pacific Northwest in the Collection of the Seattle Art Museum. Seattle: Seattle Art Museum, 1990.
Allan, Lois. Northwest Originals, Washington Women and their Art. Portland, Oregon: Matri Media, 1990
Marsha Miro, “Eye on Art”, Detroit Free Press, 24 February 1989.
“ A Little Soho”, The Seattle Times and Post-Intelligencer, 22 May 1988, Pacific Magazine,
“Kathleen Rabel, Rethinking Painting”, Reflex, March/ April 1988, pp. 17-18
“Exploring the Video Landscape”, Reflex, January/February 1988, pp. 6-8.
Rabel, Kathleen. Atomic Press. Kathleen Rabel. 7 min. 1987. Videocassette.
Wakayama Museum of Modern Art, The 2nd Biennial Exhibition of Prints in Wakayama. Wakayama: The Museum of Modern Art, 1987. Japan
‘The Fine Art of Judging an Exhibit”, The Bellingham Herald, 19 November 1987, Sec. C, pl.
“Prints from Scratch” The Saginaw News, 19 September 1987, p. 81.
Carducci, Vincent. Introduction to an Exhibition of Prints by Stephen Hazel, Kathleen Rabel and Douglas Semivan. Detroit: by the author, 1987.
Baro, Gene. Public and Private: American Prints Today, The 24th National Print Exhibition. Brooklyn: Brooklyn Museum, 1986.
Visions of Alaska. Anchorage: Providence Hospital of Anchorage, 1986.
“10 Printmakers Chosen for Hospital Project.” Northwest Arts, 12 September 1986, p. 6.
Rabel, Kathleen and Ritchie, Bill. Papers for Printmaking. 30 min. Bill Ritchie, 1984. Videocassette.
Goertzen, Kathi. Brooklyn Museum/Rabel and Hazel Studio. 7 min. Live New York ABC Nightly Newsand Seattle (KOMO TV), 1983. Videocassette.
Walker, Barry. The American Artist as Printmaker. Brooklyn: The Brooklyn Museum, 1983.
“Seattle Artist’s Works Are at the Brooklyn Museum”, The Seattle Times, 9 November 1983,
Carlssen, Jae. Deimages. Seattle, WA: by the author, 1983.
“Art Review”, Seattle Post-Intelligencer, 2 September 1983, p. 12.
Kangas, Mathew, “Inside Track in Seattle”. Vanguard, March 1983, pp. 24-25.
Blanc Narcisse. Forward by Gene Baro. Houston: Gremillion Fine Art, 1983.
Sovetskaya Kultura, April 21, 1981 (National Newspaper Soviet Culture)
International Impact Art Festival ’81. Kyoto: International Art Center of Kyoto, 1981.
“Drawn Out”. The Soho News, 7 January 1981, p. 46.
“Washington Year, Serves up the Cream,” Argus 26 September 1980.
West, Harvey. The Washington Year: A Contemporary View 1980-81. Seattle: University of Washington Press, 1980.
Williams, Derek. Beam. Seattle, WA: by the author, 1980.
“A Small “Now Drawing is…” International Exhibition. Kyoto: Kwak duck jun, 1979.
The 57th National Print Exhibition of the Society of American Graphic Artists. New York: SAGA, 1979.
“Public Art: Just who is it for?” Seattle Post-Intelligencer, 1 September 1978, p. 9.
Walsh, Mike E., “The Seattle Scene”, Art Week, February 11,1978 p.3
“The State of Seattle’s Printmakers”, Seattle Post-Intelligencer, 6 May 1978, p. B-9.
“The Trouble with the Northwest Exhibition”, Seattle Post-Intelligencer, 22 May 1977, p. D-6.
Baro, Gene. 30 Years of American Printmaking and the 20th National Print Exhibition. Brooklyn: The Brooklyn Museum, 1977.
International Triennial of Colored Graphic Prints. Grenchen, Switzerland: Eidg. Departement des Innem, 1976.
Rabel, Kathleen. Paraclete: papermaking, casting and printing. 30 min. Kathleen Rabel, 1976. Videocassette.
“Multicom: How to be in Five Places at Once”, The Seattle Times, 2 October 1973.
“Students are Getting Close-Up of Artists and their Studios”, The Seattle Times, 20 April 1973,
University of Washington, Henry Gallery, Northwest Craftsmen’s’ Exhibition. Seattle: 1967