The Old Print Shop, New York, NY, 10/10 – 11/11/2023

Altar Mor
etching, woodcut, chiné-collé
Works on Paper, Painting, Prints, Photography, Sculpture
The Old Print Shop, New York, NY, 10/10 – 11/11/2023

Altar Mor
etching, woodcut, chiné-collé
Awagami International Miniature Print Exhibition, 10/07 – 11/12/2023, Tokushima, Japan

Luwanda
etching with hand color chiné-collé on Awagami Kitakata paper
A Sense of Place, Kathleen Rabel, Bozeman, MT

SAGA Exhibition

Quince
etching, hanga, chiné-collé
SAGA 87th Annual

Alfama
etching with chiné-collé on Twinrocker handmade paper
“The Master M+S” (named for the 15th C. engraver Martin Schoengauer), a double geared intaglio press with a throw of bed of 23 x 42 inches. Built on order for Stephen Hazel in London in 1964 and shipped to Kalamazoo, Michigan. Works printed on this press are to be found in collections of the Library of Congress, the Philadelphia Museum, the Detroit Art Institute, Wadsworth Atheneum and Seattle Art Museum to name a few.
Cut gunmetal a`volant gearing, bronze bushings and nickel-steel wear faces are the modern concessions to be found in this apogee of press design by Wm. C. Kimber, press builders; reputed to be an exact duplicate of Whistler’s press made by these same machinists in the last century. Among the over twenty times this press has been moved, it should be noted that it served in a producing studio installed during the “SEVEN FROM WASHINGTON” exhibition at the Henry Art Gallery, University of Washington in 1970, a watershed event in the growth of interest in prints in Seattle, and an exhibition that traveled for the Smithsonian Institute for several years.